Music Composers, Authors & Songs

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231
Heywood, DuBose
"You Came Along." Home: Los An­geles, Calif. Address: c/o ASCAP.
Heymann, Werner Richard, composer, violinist; b. Koenigsberg, Germany, Feb. 14, 1896. ASCAP 1939. Began study of music at six; violin, har­mony, and counterpoint with Paul Juon and Scheinpfiug, in Koenigsberg and Berlin. Worked for four years with foremost German theater direc­tors; then became conductor and mu­sician in Berlin theaters, furnished musical background for silent pictures. Scored twelve European motion pic­tures. To Hollywood, composer and musical director Hollywood studios; director of pictures My Pal and Wolf. Scored pictures Together Again; Our Hearts Were Young and Gay; Hail the Conquering Hero; Knickerbocker Holiday; Hold That Blonde. Works: Floristan I and Kiki9 operettas; R/iflp-sodische Sinfonie for orch. and bari­tone; Fruhlings-Notturno for orch.; String Quartet; also songs with orch. Home: Los Angeles, Calif. Address: c/o ASCAP.
Heywood, Donald, author, composer; b. Tunapuna, Trinidad, British West Indies, Oct. 24, 1901. ASCAP 1934. Educ: private tutors, then public school, Surrey, England; Middle School; Queens Royal ColL of Trini­dad; Bisk Univ.; Northwestern Univ., medical school. Left Northwestern 1923 before completion of medical course to devote time to music, avoca­tion from childhood. Musical educa­tion with Chamberlain; harmony and counterpoint with Borowsky, Chicago. Began composing songs while student at Fisk and in Chicago continued work, becoming director of traveling theatrical orchestras. While member of Will Marion Cook's American Syn­copated Orch., this group performed his songs "There's a Spirit in My Heart"; "I Never Knew"; "The Land of Roses," and instrumental work, Caribbean Suite, Composed mass, Te
Deum Laudamus, used for back­ground music for Broadway stage pro­duction, Veils, 1925. Wrote music for other shows: Creole Follies Revue; Music Hall Revues; Blackberries; Hot RJiythm; Dumb Luck; How Come?; Born to Swing; Ginger Snaps; North Aint South; Southern Gal; Africana (operetta); Caribbean Cruise; Raisin9 Cain; Black RJiythm; Bottom Land; Top Hat and Tom Toms; The New Look Revue; Cafe au Lait; More Power to You; Follow the Sun; Holi­day in Paris; The Wrong God (ballet). Also dramatic work, OV Man Satan, introducing his own vocal orchestra. Wrote songs for feature pictures. Songs: "Home Beyond the River"; "Stop Beating the Drums"; "Come Along, Miss Mandy"; "Creole Gal"; "I Found a Rose"; "Alabama Blues"; "I'm Soft Hearted"; Tve Got to Be­long to You"; "111 Do Anything for Love"; "The Crazy Walk"; "Smile"; "Chlorinda"; "The Africana Stomp"; "I'm Coming Virginia"; "Rainy Day"; "Starlit Night." Orchestral rhapsody, Spring is Blue. Organized Negro The­atre Guild 1937-38 under whose aus­pices produced Rex Ingraham's star­ring vehicle, How Come Lawd. Won Merrick Award 1948 for greatest con­tribution of Negro to American music. Home: 140 Bradhurst Ave., New York 30, N.Y.
Heywood, DuBose, author, play­wright, poet; b. Charleston, S.C., Aug. 31, 1885; d. Tryon, N.C., July 16, 1940. ASCAP 1936. Educ.: Charleston public schools; hon. de­grees Univ. of North. Carolina 1928; ColL of Charleston 1929; Univ. of South Carolina 1930. Member NatL Inst, of Arts and Letters. Author of poems: Carolina Chansons; Skylines and Horizons; Jazbo Brown. Novels: Forgy; Angel; Mamba's Daughters; The Half Pint Flask; Peter Ashley; Lost Morning; Star Spangled Virgin. Plays: Porgy (dramatized from novel; later musical version Porgy and Bess);